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The Daily Gravy

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Performing Arts

Goodbye, AISU

It’s official: The school will be closing down at the end of the 2018-2019 school year, with the last day of AISU as a company being on or before August 19th. We don’t want to say that we told you so, but our journalistic integrity insists that we must.

We told you so.

The primary reason for the shut down is mismanagement of funds. That ranges anywhere from Special Education funds, to Foreign Exchange Student funds, to Keeping a Theater Teacher for More than Two Years funds, to Transportation funds. The Utah State Board of Education (or USBE, as they’re known to their college friends) gave the school money for these funds, but AISU did not spend the money on the things that they promised. Not only that, but they failed to keep the receipts for the things that they did spend their money on, citing the fact that they “didn’t want their wallet to get too cluttered”.

Another reason is the semi-legal agreements that AISU has with Realms of Inquiry. Granted, The Daily Gravy been distrustful of Realms from the beginning, what with their “official permits for exchange students” and “committed staff and student body” who “pay to be there” and “direct their own learning”. Sounds suspicious, doesn’t it?

Whatever the true cause of the tragic passing of AISU, we here at the Gravy know that at times like this, the bereaved often need to say a few words. We’re here for you. You’re welcome.

One teacher, who asked not to be identified, while devastated that they would be losing their job, commented that, “If the school did stay open another year, it would be like trying to break your dying, deadbeat dad out of prison. While he is super cool and original, he hasn’t taken very good care of you while he was in your life, and the more you try to save him, the less the government will like you. Plus there’s no guarantee he’ll be able to pay us once he gets out before he dies.”

A student who asked not to be identified called out to any juniors or struggling seniors looking to graduate this year, referencing the fact that they have “a surplus of credits” and that he’s willing to sell them for “any memorabilia of Brian Donahue and/or Robert Pyles”.

One AISU alum who asked not to be identified mentioned that they did not care what happened to the school, saying that they “jumped ship a while ago”, and only kept in touch with any AISU representatives to deal Pokemon cards.

Truman Barnes, late night assembly host and former school mascot candidate, who asked not to be identified, said that “I guess you could say this school is dra-GONE, huh? Will you use that pun in your article? Could you use that pun in that article? Make sure you use that pun in your article.” It should be noted that the Gravy correspondent, after conducting this interview, sighed deeply, shook his head and walked away.

Another teacher said, “Quick word to any and all students who are thinking about stealing things from the school: If the school is so bad at fiscal management, how good do you think they’ll be at taking inventory?” The teacher asked to not be identified.

One student, who asked not to be interviewed, was somehow left unawares of the shut down, and said simply that they were “excited to be a part of the entirely legal and well-staffed AISU 6.0”.

An alum who asked not to be I.D.’d when he entered the bar commented on the Farley Fire’s effect on the situation: “Many people used to say we dodged a bullet by firing the Farleys and everyone affiliated with them. The thing is, though, by dodging that bullet, we placed ourselves in front of thousands of other bullets that were also being shot at us. I need to go to the hospital.”

It’s a very scary time to be an AISU student, unless you’re a well-off senior or a high-achieving junior. Even then, the prospects of no AISU to mold any more future citizens is a frightening thought. The only likely way to continue in future years is to be, essentially, absorbed by another, much more financially sound, charter school. But wouldn’t being A.P.A.I.S.U. be a fate truly worse than death? And the only way to continue AISU as we know it is to tweet every hour on the hour to Elon Musk with the hashtag #SaveAISU. Please do your part. Or don’t, I can’t force you. Because of the restraining order.

Shaun Barrowes Accidentally Makes New Single after Eating Year-Old Fiery Doritos Locos Taco from Taco Bell, Donates Proceeds to AISU Choirs and Lesser Schools

Murray, UT—On Monday, Shaun Barrowes (a singer/songwriter, famous to himself and possibly his mother), released a combination of sounds and his voice, along with someone else’s song, inside an album on Spotify called AISU Fundraiser. Every time these songs are played on this album, all proceeds go to the AISU choir program. The Daily Gravy strongly suggests opening the Spotify link in a new tab, clicking mute, and leaving it on repeat for the next month straight to support AISU’s choral program’s hoped-for trip Carnegie Hall this summer.

This act of kindness wasn’t completely out of character for Barrowes, who is known for “probably at least having his heart in the right place, most of the time.” What is seen as uncharacteristic about the act of kindness, however, is the “act” part. “We’re not used to Shaun acting [so quickly] on his good intentions,” said a person familiar with Barrowes’s previous experiences with AISU. “But we’re thankful for whatever inexplicable, supernatural forces are at work here.”

Experts, who are never satisfied with “inexplicable,” let alone “supernatural,” are still looking for a more rational explanation. Luckily for these experts, and for all of us, really, the Daily Gravy has done some of their signature detective reporting work, and has discovered what drove Barrowes to have enough work ethic to finish an entire song for AISU.

Sources reveal that somewhere in Shaun Barrowes’s “Shaun Cave” late Sunday night, the singer/songwriter was digging around in his “Shaun Fridge” when he found a leftover, partially-eaten Fiery Doritos Locos Taco from Taco Bell. Carbon dating of taco residue left in the fridge reveals that the taco was somewhere between 1 and 4 years old; in fact, scientists estimate that it may have been one of the first Fiery Doritos Locos Tacos ever sold by Taco Bell. When Shaun discovered it, there were a few bites taken out of the taco, and it is yet to be determined whether the bites were taken by Barrowes or one of the many dead wild animals found in the Shaun Cave. With that and only a few medium-sized green splotches reported to be on the half-soggy taco, Barrowes naturally ate it.

Of course, it is not unusual for Taco Bell food to be left half-eaten in the fridge. And, as typically happens when one actually finishes a meal from Taco Bell, Shaun Barrowes went into a state of delirium that overpowered his lack of responsibility and endowed him, temporarily, with the productivity of a middle-aged mother who wants her son to be an Eagle Scout but he hasn’t earned any merit badges since he was 12 and he turns 18 in just three months.

The result was the song “DragonGirl,” which Barrowes wrote and recorded in one night and got the idea to put it on Spotify and donate the proceeds to a school or institution of some kind. It was then that he noticed that the name of the song included a mascot from an institution where he once performed, though he wasn’t sure if that mascot was “Dragon” or “Girl.” After searching for some time to try to figure out which institution it could possibly be, he eventually narrowed it down to AISU, Helen Keller Elementary School, the Smile-Away Reformatory School from Phineas and Ferb, and the Autumn Park Assisted Living Center.

An advisor close to Barrowes (presumably his mother) suggested that AISU and the Smile Away Reformatory School are probably the same thing, and that residents of Autumn Park Assisted Living probably won’t know how Spotify works anyway. So Shaun Barrowes decided to make 2 separate versions of the song, both of which you should leave on mute: “DragonGirl (feat. AISU Choir)” and “DragonGirl (feat. Helen Keller Elementary School).” He put each in its own album, along with another song, “Edge of Loneliness,” which Barrowes did not write but reminded him of his feelings after consuming the Fiery Doritos Locos Taco. Barrowes also made versions for Kenyan and Filipino students, respectively, but it is being speculated that the proceeds will actually be given to these students in the form of Taco Bell food, and experts strongly advise against doing that to those innocent children.

Shaun and his mother did not respond to requests for comment, though The Daily Gravy did leave multiple messages informing them that Helen Keller Elementary is not a school for blind and deaf children, but it is yet to be seen if they will hear that clarification. In the meantime, clicking this link and keeping the spotify album on mute and on repeat and mute for the next month straight in a separate tab or window and telling others to do the same will help the AISU choirs fund their trip to Carnegie Hall. Creating multiple Spotify accounts for this purpose is not frowned upon but rather invited and glorified.

 

 

SPECIAL NOTE: ALL PROCEEDS FROM ANY PRODUCTS BOUGHT ON THE DAILY GRAVY ZAZZLE STORE WILL GO TO CARNEGIE HALL FUNDRAISING FOR AISU FROM NOW UNTIL NOV. 30!

CHECK OUT THE NEW Dragon Girl T-SHIRTS (all proceeds go to AISU’s Carnegie Hall trip, not children in 3rd world countries)!! 2 t-shirts available in any style: “I’m a AISU Dragon Girl” and “卡内基音乐厅

Public Announcement: AISU Choirs, Theater Programs Given 1 Month Leave to Adapt to Not Automatically Being the Best

AISU—Due to the shock AISU choirs and theater programs are now facing due to not blowing everyone away with their performance at the Shakespearean Festival, administration has chosen to give music and theater students one month off to adapt to not being the best without trying anymore.

As Mark Smith said, “Times are clearly changing, and the AISU choral and theater programs can’t just waltz into performances and expect to blow everyone away like they used to. Why this has changed, I don’t know. But I do know this: it is certainly not due to decreased support from administration towards the performing arts following the departure of the Farleys. Definitely not that. But rather than thinking about ways that I can fix this, I am placing all students who did not dominate their respective competitions on one month of administrative leave. During this time, you should use think about what you have done, feel awful about yourselves, and consider transferring schools.”

Some students are excited about this month off of school, but others have noted eerie similarities between this month of leave and the “leave” granted to Mike Farley before he was wrongly fired. Meanwhile, the dance program remains in the sweet familiarity of being better than everyone else.

EXCLUSIVE: AISU Choirs Getting Record-Level Sucking Out in Rehearsals

Murray, UT—The American International School of Utah (AISU) choral program came into this school year with an understandable sense of uncertainty. The legend that was Ms. Erica is gone; many of the most talented students transferred or graduated; and Kelly was fired, which brought general happiness levels to an all-time low throughout the school. Needless to say, the future didn’t seem too bright for the AISU choral program.

The only thing AISU choirs really got to look forward to this year was the new choir director, Ms. Houghton. Possibly even more overqualified than Ms. Erica was for this job, Ms. Houghton reportedly taught Ms. Erica everything she knows about choral directing—and that’s a lot. However, some experts have expressed a concern: Given Ms. Houghton’s amazingness, will the choirs still be able to get as much sucking out in rehearsals?

The AISU choirs’ well-known awesomeness has long been attributed to their ability to sound downright awful during rehearsals, so that by the time a performance came along, there was no suckiness left in the performers, leaving only pleasant sounds that impressed judges.

Would a talented director like Ms. Houghton be able to get her students to suck sufficiently during rehearsals to keep this tradition going? After almost four weeks of choir, this concern has been thoroughly settled, as choir members and spectators alike have been overwhelmed by the unexpected amount of sucking the choirs have been getting out already. One choir analyst reports, “The first week of choir, both choirs were sounding really nice. They had a great sound and blended well and seemed to be picking things up really quickly. So obviously, we were really concerned. Devastated, in fact. It crushed a lot of hopes that AISU would be able to compete again.” He continues, “Luckily, by the third week, both choirs had gotten back to it and are sucking at a much more acceptable rate! Based on how much they’re sucking, there’s a good chance they won’t have any sucking left by the time they compete at the upcoming Shakespeare Festival!”

A student from the tenor section added, “I can only speak for my section, but we’ve sucked so much already! Nobody can hold a part, we can’t stay in tune, and we couldn’t find our notes if our lives depended on it. In fact, we have so much trouble finding our notes that by the time we compete at Shakespeare next week, there won’t be any notes left besides the right ones! I’ve never been more optimistic about our progress. I think our section alone has gotten more sucking out over these first two weeks than probably any choir has at AISU so far.”

Ms. Houghton also commented, saying, “To be honest, I didn’t know the AISU choirs had this much sucking in them! Erica has told me stories and everything, of course, but I thought she was exaggerating!” She added, beaming, occasionally slipping into a Boston accent. “I’ve never heard a choir who has been able to get this much sucking out in rehearsals, and I’m very proud.”

Word of all this sucking has reached competition judges, who reportedly have responded by engraving “AISU” into all of their trophies and plaques, just to save time.

 

Buy your authentic “I got all the sucking out in rehearsals” AISU Performing Arts button pin HERE (comes in various sizes) (proceeds go to preservation of future awards AISU will undoubtedly win).

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Truthful and stylish

The Real Reason Gordon Hayward Left The Utah Jazz

Salt Lake City, Utah—Earlier this week, many Utahns (and residents of surrounding states without a professional basketball team) had a somber undertone to their 4th of July festivities when Utah Jazz basketball star and League of Legends player Gordon Hayward announced that he was leaving Utah to join the Boston Celtics.

The news came as a shock to many fans. In Utah, many speculated, Hayward could have a higher salary, a higher probability of running into Donny Osmond, and a lower probability of getting his shots blocked by Rudy Gobert (except in practices). In Boston, on the other hand, he would have an arena overstuffed with championship banners, a higher probability of running into Tom Brady, and a borderline racist team logo.

And yet, he still chose Boston. This in spite of the fact that Jazz fans have created hashtags featuring wordplays on Hayward’s name, paid for billboards with Hayward’s picture on them, and posted YouTube videos of themselves begging him to stay, which isn’t creepy or pathetic at all.

In Utah … Hayward could have a higher salary, a higher probability of running into Donny Osmond, and a lower probability of getting his shots blocked by Rudy Gobert (except in practices).

Some have speculated that Hayward is leaving for Boston because his old college coach, Brad Stevens, now coaches the Celtics, giving Boston a sentimental advantage. However, it remains a fact that Hayward is an acknowledged professional athlete, who does not have actual feelings and who cares only about money, social media, and winning, in that order. So there must be some other explanation.

As analysts and fans continue to puzzle over Hayward’s baffling decision, the Daily Gravy has recently received exclusive insider info that Hayward’s departure had nothing to do with sentimentality and everything to do with the AISU school board.

In case you didn’t know, the board of directors of the American International School of Utah (AISU) have recently been accused of abusing their power (possibly unintentionally), not following their own standards and bylaws (probably intentionally), and refusing to brush their teeth (definitely intentionally). Some examples of their abuses of power include removing Michael Farley as manager of its parent organization, AIS, and attempting to use expired Burger King coupons as admission to Beyoncé concerts. A couple of outspoken sports analysts have surmised that the controversy surrounding the school board (or possibly Ms. Erica’s departure) was likely a major factor in Hayward’s decision to leave.

However, an inside source has informed the Daily Gravy of the real reason: The AISU school board fired him.

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Hayward’s departure had nothing to do with sentimentality and everything to do with the AISU school board.

The informant, who asked to be called “anything except my real name, I don’t care, just don’t tell them it’s me, Gordon Hayward,” explained that he could not reveal the grounds for the firing for fear of losing severance pay, but possible reasons include the fact that Hayward was an important, foundational, well-loved member of the community. As AISU student and parents know, the school board has recently become notorious for firing such people (without authorization to do so). In fact, some students and parents had said that they expected this to happen after seeing it happen with Mike Farley, saying the firing of Gordon Hayward was a predictable next step. Other AISU students asked, “Who’s Gordon Hayward? Is he in the Chamber Choir? What part does he sing?”

Experts are now trying to predict what the school board will do next, with many agreeing that they will likely fire Justin Trudeau, Taylor Swift, and/or Pope Francis. In response, students and parents have written a petition demanding a reorganization of the board, in order to protect Pope Francis and other influential world leaders from meeting the same unwarranted and unlawful demise as Hayward and Farley.

The school board has refused to comment on this issue, or any issue, for that matter. Gordon Hayward did say that he’ll be in touch with AISU’s choir directors, previous and current, for information about the city of Boston, as both directors have ties there. He also still plans to audition for the AISU choral program, just as he does every year, and hopes that he’ll be accepted at least once before the school shuts down. He also said (anonymously) that AISU’s lawyers have banned him from any contact with the school, which is why he isn’t following you on instagram. He apologizes for that and hopes the ban is lifted so he can. AISU staff members are also banned from contacting him, even through social media, with the threat of termination. For now, though, AISU students, parents, and staff members (although don’t tell anyone they say this, because they could get fired) encourage you to boo the AISU board of directors at the Jazz v. Boston game this season (and sign the petition and attend the town hall meeting, if you’re serious about it).

Student Petition to the School Board AND TOWN HALL MEETING THURSDAY AT 7PM MURRAY LIBRARY EVERYONE WELCOME

If you want to make your voice be heard regarding the unjust termination of great people such as Mike Farley, Steve Farley, Greg Farley (Steve’s clone who worked as a lunch lady), and Kelly Casaday, you now have a great means to do so. Join your fellow students in voicing their disappointment in decisions made by the AISU board of directors in a cool and productive way.

Follow this link to the student petition: Students’ Petition (Conceived and Written by Students)

Note: Mike Farley and all other adults mentioned have no knowledge of the writing of this petition.

 

Also, if you are a parent, sign this petition: Parent Petition (written and conceived by parents)

If you are neither of these, but care about Mike and Steve and Greg and Kelly a great deal, sign either one. I don’t care. No matter who you are, though please do not sign both. We want this to be as honest and legal of a process as possible, as boring as that is. If you are a student AND a parent (we won’t judge), I guess you can sign both. Otherwise, stay honest please.

IMPORTANT UPDATE:

THERE WILL BE A TOWN HALL Q&A WITH MIKE FARLEY, WHO WILL, WITH A LEGAL INFORMANT, BE ANSWERING ANY QUESTIONS THAT YOU, STUDENTS, PARENTS, OR UNCONNECTED COMMUNITY MEMBERS, MAY HAVE.

IT WILL BE AT 7:00 PM MOUNTAIN TIME, THURSDAY JULY 6, AT THE MURRAY LIBRARY (166 E. 5300 S., Murray UT, 84107).

SEE PICTURE FOR MORE DETAILS.

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As Ms. Erica’s News Finally Starts to Sink in, AISU Holds Its Breath and Takes a Look Ahead

AISU—As everyone outside of the North Korean prison camps and parts of Communist Cuba knows by now, The Erica Glenn will not be returning to teach choir or direct the performing arts at AISU next year. Ms. Erica has been chosen by Arizona State University (that’s ASU, or AISU without I) to receive the largest scholarship ASU has ever offered, take over the ASU women’s chorus, become a goddess, and pursue her education in choral conducting, all while ASU pays her to do it. Ms. Erica has somehow chosen this over her loving, procrastinating, get-all-the-sucking-out-in-rehearsals (but also sometimes in the performance) middle and high school students. The coin she flipped to make this decision was probably weighted somehow by those heckin ASU people.

Ms. Erica has always been incredibly overqualified for the job she held at AISU, but has used her overqualifications and otherworldly connections to make AISU what it is today: a school that, despite failing miserably at everything, somehow succeeds tremendously at the performing arts.

Because of Ms. Erica, AISU’s performing arts program has had the opportunity to perform with incredible musicians and influential figures such as Erica Glenn. Almost as valuable were opportunities to perform with Dallyn Bayles, Kurt Bestor, Aaron Kenny, That One Guy, and other amazing people, as well as some people who weren’t that amazing but are possibly sort of well-known-ish maybe. Ms. Erica led AISU’s performing arts to undeservingly win countless competitions and awards, from the Utah Shakespearean Festival to the Kurt Bestor Competition to State Music Festivals/Competitions and many more.

Ms. Erica has stuck with AISU’s choirs in times of trial and hardship, usually caused by AISU’s choirs, and helped the choirs get through the hard times and make something of it. From the first showcase for the school during week zero to the latest regional music competition, Ms. Erica didn’t give up on her students (and also probably bribed the judges at regions), and practiced them into being better and slightly more deserving of their accomplishments.

There was a time when AISUers asked hypothetically, almost with a chuckle, “What would AISU be without Ms. Erica?” Now the school must face the horrifying reality: “What will AISU be without Ms. Erica?” And no one is laughing. Truly the school will not be the same without Ms. Erica, who is arguably responsible for all successes and improvements AISU has ever had. In fact, it may well be that without Ms. Erica, AISU becomes, to most observers—including those in Communist Cuba—merely “that school that had the whooping cough outbreak.”

Many students and staff members are expecting AISU to completely shut down not long after Ms. Erica’s announcement. However, in what experts are calling a surprising and risky move, school officials recently announced that AISU will not go hide under a rock somewhere and cry itself to sleep. Instead, plans are to stagger along like a crippled dog and whimper occasionally. Bets on how many days or hours AISU will survive after Ms. Glenn leaves have been circulating throughout the school. Las Vegas has officially placed the over-under at one hour, with most people eagerly taking the under, while others optimistically insist it will last as many as 90 minutes. In anticipation, many staff members and students have already begun looking for greener pastures, such as the Utah Department of Corrections or Alcatraz.

However, some students have a more positive outlook, especially with the news we just received that Ms. Erica’s friend Ms. Sarah will be taking over in Ms. Erica’s place. Ms. Sarah has an impressive resume, and many AISU students hope that she is actually just Ms. Erica in disguise and this whole thing was an elaborate prank gone wrong.

Despite the sense of optimism about Ms. Sarah, Arizona State has reported record numbers of applicants in the past few days, including several AISU students who are nowhere close to graduating. Some students have speculated that this was ASU’s plan all along, and that the school has terminated the recruitment manager, unofficially giving that title to Ms. Erica. In related news, local surgical clinics have reported a sudden increase in men-to-women gender change operations, a trend that is striking similar to the recent increase in the number of audition requests for ASU’s women’s choir.

Ms. Erica has done more for AISU than anyone can ever repay her, and she’ll do the same for ASU. One day, when she is conducting the Mormon Tabernacle Choir or something bigger than that (which is hard to imagine, but then, we once thought the same about the AISU gig), as well as singing every part by herself, and taking whatever she does to unimaginable heights, the one consolation for her former AISU students will be that we can say, with a smile on our face and a song in our heart, “We heard it here first.”

Beatles’ “Yesterday” Also Written About Ms. Erica

STILL CRYING, CAN’T WRITE CONTENT; HERE IS LYRICS:

Yesterday all my troubles seemed so far away.
Now it looks as though they’re here to stay.
Oh, I believe in yesterday.

Suddenly I’m not half the man I used to be.
There’s a shadow hanging over me.
Oh, yesterday came suddenly.

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Why she had to go, I don’t know, she didn’t say. [she did say, actually]
I did something wrong [actually she says I didn’t do anything wrong, but she was offered a job that she isn’t super overqualified for, as well as full ride to ASU, but still], now I long for yesterday.

Yesterday life was such an easy game to play.
Now I need a place to hide away.
Oh, I believe in yesterday.

Why she had to go, I don’t know, she didn’t say. [except she did say]
I did something wrong [actually she said we did great, but she got a great opportunity and it’s good for her, it’s just sad], now I long for yesterday.

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Yesterday life was such an easy game to play.
Now I need a place to hide away.
Oh, I believe in yesterday.

Mm mm mm mm mm mm mm

Bill Withers Reveals “Ain’t No Sunshine” Was Written About Erica Glenn

DUE TO CRYING, THE DAILY GRAVY EDITORS ARE NOT ABLE TO WRITE CONTENT FOR THIS ARTICLE. THE REST OF THIS POST WILL CONSIST SOLELY OF BILL WITHERS’ “AIN’T NO SUNSHINE” LYRICS:

Ain’t no sunshine when she’s gone
It’s not warm when she’s away.
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away.

Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away.

And I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know,
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone

0

Ain’t no sunshine when she’s gone
Only darkness every day.
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away.
Anytime she goes away.
Anytime she goes away.
Anytime she goes away.

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